Bach Bibliography Search Result |
Series : ^[ce]CPEBachStud$Your search has generated the following results ...
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Type | List | Title [further info] | Series | Vol | No | Year | Pages | Status |
---|---|---|---|---|---|---|---|---|
1. | C. P. E. Bach's Character Pieces and his Friendship Circle. | [ce]CPEBachStud | 1-32 | |||||
2. | The letters from C. P. E. Bach to K. W. Ramler. | [ce]CPEBachStud | 33-41 | |||||
3. | C. P. E. Bach's Aesthetic as Reflected in his Notation. | [ce]CPEBachStud | 43-63 | |||||
4. | C. P. E. Bach and the Early History of the Recapitulatory Tutti in North Germany. | [ce]CPEBachStud | 65-82 | |||||
5. | C. P. E. Bach and the Trio Old and New. | [ce]CPEBachStud | 83-104 | |||||
6. | The Stylistic Anomalies of C. P. E. Bach's Nonconstancy. | [ce]CPEBachStud | 105-131 | |||||
7. | A Supplement to C. P. E. Bach's 'Versuch': E. W. Wolf's 'Anleitung' of 1785. | [ce]CPEBachStud | 133-157 | |||||
8. | C. P. E. Bach in the Library of the Singakademie zu Berlin. | [ce]CPEBachStud | 159-176 | |||||
9. | C. P. E. Bach and the Free Fantasia for Keyboard: Deutsche Staatsbibliothek Mus. Ms. Nichelmann I N. | [ce]CPEBachStud | 177-184 | |||||
10. | C. P. E. Bach and Carl Friedrich Zelter. | [ce]CPEBachStud | 185-216 | |||||
11. | C. P. E. Bach in the 1740s: The Growth of a Style. | [ce]CPEBachStud | 217-231 | |||||
12. | C. P. E. Bach, J. C. F. Rellstab, and the Sonatas with Varied Reprises. | [ce]CPEBachStud | 233-243 | |||||
13. | The 'Piano Climax' in the Eighteenth-Century Concerto: An Operatic Gesture? | [ce]CPEBachStud | 245-276 | |||||
14. | Filiation and the Editing of Revised and Alternate Versions: Implications for the C. P. E. Bach Edition. | [ce]CPEBachStud | 277-294 | |||||
15. | A New Look at C. P. E. Bach's Musical Jokes. | [ce]CPEBachStud | 295-314 | |||||
16. | C. P. E. Bach in literature: A Bibliography. | [ce]CPEBachStud | 315-335 | |||||
17. | C. P. E. Bach Studies. | [ce]CPEBachStud | xv, 346p | |||||
18. | Diderot's Paradoxe and C. P. E. Bach's Empfindungen. | [ce]CPEBachStud | 6-24 | |||||
19. | Dark fantasies and the dawn of the self: Gerstenberg's monologues for C. P. E. Bach's C minor Fantasia. | [ce]CPEBachStud | 25-66 | |||||
20. | Sources of C. P. E. Bach's solo keyboard works in the Sing-Akademie archives. | [ce]CPEBachStud | 67-83 | |||||
21. | Reason and revelation in C. P. E. Bach's resurrection oratorio. | [ce]CPEBachStud | 84-115 | |||||
22. | C. P. E. Bach and C. C. Sturm: sacred song, public church service, and private devotion. | [ce]CPEBachStud | 116-148 | |||||
23. | An enduring monument: C. P. E. Bach and the musical sublime. | [ce]CPEBachStud | 149-172 | |||||
24. | C. P. E. Bach and the living traditions of learned counterpoint. | [ce]CPEBachStud | 173-201 | |||||
25. | Plates for sale: C. P. E. Bach and the story of Die Kunst der Fuge. | [ce]CPEBachStud | 202-220 | |||||
26. | 'Our old great favourite': Burney, Bach and the Bachists. | [ce]CPEBachStud | 221-264 | |||||
27. | C. P. E. Bach Studies. | [ce]CPEBachStud | xii, 268p |